Los Maysles y el Direct Cinema
Por Guillermo López García “Remember, as a documentarian you are an observer, an author but not a director, a discoverer, not a controller.” Albert…
Read MoreNew York Film Festival
Flight of the Fallen
Review Birdman (2014), directed by Alejandro G. Iñárritu By Conor Plosia Birdman can only be described as a cinematic masterpiece. The film keeps you on the edge…
Read More
In Plain Sight
Review Gone Girl (2014) directed by David Fincher By Conor Plosia Gone Girl, the highly anticipated new David Fincher feature, premiered at the New…
Read More
What’s up, Doc?
Review Inherent Vice (2014) directed by Paul Thomas Anderson By Conor Plosia Paul Thomas Anderson’s Inherent Vice premiered at the 52nd New York Film…
Read More
Behind the Silver Screen
Review Maps to the stars (2014) Directed by David Cronenberg By Conor Plosia When we look in the mirror, we never see what we want. …
Read More
Autorretrato de Siria
Silvered Water, Syria Self-Portrait (2014) de Ossama Mohammed y Wiam Simav Bedirxan Por Guillermo López García Este único e imprescindible documental surge a partir de la colaboración…
Read More
One day with Pasolini
Review Pasolini (2014), directed by Abel Ferrara By Conor Plosia Pasolini is a film by Abel Ferrara (Bad Lieutenant, The Funeral) and stars Willem…
Read More
Los gritos del silencio
Crítica The look of silence (2014), de Joshua Oppenheimer Por María F. Valencia Que un ochenta por ciento de los créditos sean anónimos y…
Read More
Shared Gold
by Auggie Cooper Blue is the Warmest Color (La vie d’Adèle) belongs to the 21st century — living a fervent life before being released…
Read More
The Reinvented Love Story
Review Her (2013), by Spike Jonze By Conor Plosia The love story in narrative fiction has been done one too many times for my…
Read More