Los Maysles y el Direct Cinema
Por Guillermo López García “Remember, as a documentarian you are an observer, an author but not a director, a discoverer, not a controller.” Albert…
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Flight of the Fallen
Review Birdman (2014), directed by Alejandro G. Iñárritu By Conor Plosia Birdman can only be described as a cinematic masterpiece. The film keeps you on the edge…
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In Plain Sight
Review Gone Girl (2014) directed by David Fincher By Conor Plosia Gone Girl, the highly anticipated new David Fincher feature, premiered at the New…
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What’s up, Doc?
Review Inherent Vice (2014) directed by Paul Thomas Anderson By Conor Plosia Paul Thomas Anderson’s Inherent Vice premiered at the 52nd New York Film…
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Behind the Silver Screen
Review Maps to the stars (2014) Directed by David Cronenberg By Conor Plosia When we look in the mirror, we never see what we want. …
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Autorretrato de Siria
Silvered Water, Syria Self-Portrait (2014) de Ossama Mohammed y Wiam Simav Bedirxan Por Guillermo López García Este único e imprescindible documental surge a partir de la colaboración…
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One day with Pasolini
Review Pasolini (2014), directed by Abel Ferrara By Conor Plosia Pasolini is a film by Abel Ferrara (Bad Lieutenant, The Funeral) and stars Willem…
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Los gritos del silencio
Crítica The look of silence (2014), de Joshua Oppenheimer Por María F. Valencia Que un ochenta por ciento de los créditos sean anónimos y…
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